Ode To the Leaf That Fell On My Shoulder Outside Dooly Memorial Building Between Classes
I’ve been told to write about something joyful.
Like a hundred swans lining a riverbank,
slipping their necks into the water.
Like how no two trees hold the same shape.
Like a plastic chair adorned with spiderwebs
in the April light.
It’s been a year of longing, of long
slanted light through the window rearranging
shadows on my dresser.
It’s been a year of following mice
along the fences they run, following
sisters up mountain paths
to sit by the ocean eating fresh fruit,
cows roaming behind our backs.
It’s been a year of avoiding my room,
of weeping on the shower floor.
It’s been a year.
I once believed touch was a portal
to forgiveness.
Then I was stripped of understanding
by the touch of someone I loved.
I ran in the rain to feel the shape of my body
encompassed by the downpour.
I slipped out of the gates of myself.
I found touch again on the other side,
where I’m still looking for forgiveness.
I found definition in trees.
How the Palms grew long and thin
to avoid breaking.
How the Noni I used to hate
for the stench of vomit that filled my backyard
was chopped to pieces by the landlord
but still grew back next spring.
There’s little that cannot be undone
when given to light.
Every poem I write is an elegy for light
that will not die,
for the sun’s specific shading
that captures the outlines
of a stranger’s face
as they speak toward
what they love.
Like the mother at the Brooklyn bakery,
whose eyebrows searched for this last line
of a poem she translated from memory:
Don’t you know I, too, was once alive?
Like the boy outside the L.A. bar
with perfect blonde hair,
speaking about devotion and turning away from it
and turning back.
Like the coffee shop employee printing tie-dye shirts
out of his house, hawking them
to customers between shifts
and watching them leave through the tinted window
eyes gleaming at the sight
of them fitted in his design.
I am unconcerned with darkness.
I am unconcerned with toes tapping quietly,
the outlines of figures in the distance,
statues whose internal cracks never reveal themselves.
I move outward like smoke from a fire.
The thing burning is grief, is pain,
is a long car ride back from a house
I will never visit again.
The thing burning is a casket, is a shroud,
is a bulletin with a loved one’s face.
The thing burning is every word
that tried to undo me.
I move outward in joy
like smoke from the fire.
I am saying there are moments
more beautiful than life.
That some trees lose their leaves
even here in South Florida, even
without seasons
and within days, regenerate
the greenest plumage of the year.
Little leaf,
you carry with you from branch to shoulder
the history of gravity.
You touch me so quietly
I forget the pain of silence.