Full Language
Last night, I slept through
the worst of the storm, but only
after fretting and speeding
the radar map over its predictions,
the monstrous amoeba missing my place
by only miles, with strange tornadoes
already spotted an hour or so away,
strange because they spun
the wrong way, clockwise, and yet
sleep took hold. I dreamt of sentient lice.
I dreamt a key that would save
all of humanity, but it went absent
in the light like one of those
chemicals that turns when exposed
to oxygen. It is always pleasant
if confusing to wake just on the other
side of a new dawn, its cheeks still warm.
Only one guy died in the storm.
First gesture of the morning,
I text a lover back, friends, my phone
not yet warm in my hand. Someone sends
some nonsense back. Some levity
after a night’s clench of what if.
Few of these glyphs will stick.
This is not what one would call
a full language, but every day
fills my brain: I keep making too much sense
of life’s Mad Libs, life’s low pressures. The older I get
the more that feels gone, the more
that keeps coming back even after.
Unfinished Swans
Take from it what you can. - Mary Oliver
Consider the number
of emails sent, of windows
watched from, of traffic
jams and other jams, of
shopping malls trekked,
of dull dreams, of sprays
walked through like mist,
of complex fears abated
through how many therapy
sessions, how many drugs,
how many drinks,
of times listening, truly
listening to the fall of rain.
The soft music of an empty
hammock, its number of sways.
Everywhere you look,
you’ve already missed it.
But once, I saw swans coupled
to a secret lake, a lake
only I had ever visited.
One dipped his head so
slowly under the water, out again,
that I now better understand
the reputation of swans.
So, two trumpeter swans
graced the shore of
Glen Lake, which impossibly
already had a name.
They moved like their story
was already done, like they couldn’t miss.
The real work is walking home
when you’ve tried what you can.
Consider what was tried, what was
underneath the trying.
Remember this when
you are unfinished, lying in a field.
Consider the number of fields.